Logan Lucky Movie Review (2. It's hard to imagine a more American caper comedy than Logan Lucky. If the American ideal stands for anything, after all, it's this: Success isn't a matter of luck. Anyone—absolutely anyone—can make it big if they're willing to dream extravagantly, work hard and take some mighty big risks.
Jimmy is just such a man. He's suffered his share of hard knocks. But he knows opportunity when it comes knocking, and he's not afraid to answer the door.
He—like Thomas Edison or Henry Ford—had an idea. And he was willing to plan, work and persevere to see it through. But if there's one thing we Americans appreciate more than seeing Americans work hard and succeed honestly, it's watching them work hard and succeed dishonestly.
At least in some of our favorite stories, that is. We enshrined Jesse James and Billy the Kid in dime- store novels, ate up the exploits of John Dillinger and Bonnie and Clyde. Our cinematic history is filled with heroes who take it from The Man and . Logan Lucky gives us a likeable, handsome, blue- collar worker who never catches a break and loves his kid. The movie kicks him and kicks him some more and then, finally, it gives him a chance to pilfer a bit of the American dream for himself. Moreover, it presents the caper as a victimless crime—heavy on clever, smile- worthy twists and light on malicious greed or desire. No one supposedly gets hurt in this .
Why, the Logans even leave behind most of the money, and the Speedway's insured for the rest. No harm, no foul, right? Such is the corrosive reasoning behind such movies. Now, I don't have anything against a clever caper movie, and this one's pretty clever. But we must remember the myth such films are built upon.
Logan Lucky and similar movies position their heroes as American Robin Hoods: They take from the haves (in this case, the massive speedway and its phalanx of insurance companies) and give to those who could use—deserve, really—the money. But the money being taken doesn't just appear out of nowhere, like a pot of gold under a rainbow. It comes from folks like you and me—people who may struggle to pay the grocery bill from time to time, people who grouse about our insurance premiums always going up. Films like this one rarely represent those kind of realities accurately. Instead, Logan Lucky gives us Jimmy Logan as its hero—a decent, hardworking soul who loves his daughter and doesn't want to take advantage of anybody. No harm, no foul, right? But when I imagine Jimmy Logan talking to his daughter about his Charlotte Speedway heist, I wonder ?
That it's OK to lie? It's forgivable as long as your heart's in the right place? That the people you're stealing from have plenty of money already? In the movie's spiritual section, I mentioned how prospective plotters Sam and Fish Bang originally refused to join the gang, given how they were reformed and all.
We need a moral reason, they said. But as soon as they were given one—no matter how flimsy—they were in. The movie, perhaps intentionally, apes Sam and Fish. Thieving is wrong.
We all know that. But Logan Lucky gives us a moral justification that, at least superficially, excuses it a bit. Funny Comedian Videos Mary Magdalene (2017). And it expects us, like Fish and Sam, to smile and nod and go with the flow.
Logan Lucky is like watching a wizened, veteran, ornery old professional baseball player take three seasons off before then deciding, with no warning, to return in. If you've seen a Steven Soderbergh movie before, particularly the Ocean's trilogy, you'll notice many similarities between them and Logan Lucky. Logan Lucky - West Virginia family man Jimmy Logan teams up with his one-armed brother Clyde and sister Mellie to steal money from the Charlotte Motor.
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